This is Jane's heart pattern, entitled "My Heart is in Canada." I was lucky to attend Jane's class at the Fringe Element's conference this fall. The class had a great time working the pattern together. I think I even finished during class time. For everyone else, she has generously posted the pattern online. Click HERE for a link to her pattern pages. From there click on Hearts and you will see this one and lots more.
Next year's Palmetto Tat Days will feature another group project quilt. Yay! I love the challenge of quilt squares, choosing threads and designs to complement the fabric.
Here is one done. I have used Yarnplayer's Ginko Leaf from her Etsy shop to go with the leaves printed on the fabric. The design uses folded rings and Catherine wheel joins. My little flowers in the center section don't show up real well, so I may add more to that section later. But I've got more quilt squares I will work on first to make sure I get them all done. The choosing and the tatting is the fun part. Then comes the sewing on :( That always takes so much more time than I expect it will. But good news, I have realized that it is easy to separate Lizbeth thread into 3 strands, so I can use that for a thin matching thread for the sewing on. Cut a piece of thread about the length of fingertip to elbow. Twist one end back and forth until you can see 3 strands and pull one out. If you have ever separated strands of embroidery floss, you know what to do. If you would like to join in the fun, here is message from Georgia about adopting quilt squares to decorate. You can also send her tatted pieces to be sewn onto the quilt. Hello, tatters!
Tatters and Quilters needed to decorate blocks for the 2018 Tatting scholarship fundraiser quilt.
We have about 70 more blocks which need to be adopted.
Corina kindly sent me some links to references to tatting in some ladies' letters in the 1810's. I've done a cut and paste of part of the pages.
Joanna Baillie was a poet and playwright born in Scotland. Mary Cumming was an Irishwoman who had emigrated to Virginia.
Joanna had been given a length of tatting and asks her friend if she knows what tatting is. Mary had just learned to tat and is describing how to do it as though her friend would not know how. (Even then, as now, the beginner's difficulty in getting rings to close is noted as the hard part.)
I can envision this as a time when the art of tatting was just starting to spread from person to person in the English speaking countries, while we know some decades were to pass before there would be published instructions.
I'm sorry the print on the clips is so small. Here are links for closer looks at these pages:
I'll try to get back to blogging more often, sorry for taking so long.
I'm sure I've told you enough times how much I enjoy going to the Palmetto Tatdays every year. Those who blog more regularly have already told you lots about this year's event.
This year I didn't teach and I really enjoyed the lack of stress from being just a student. Sometimes I was the bad student, showing up late for class and making dumb mistakes from not reading the pattern closely enough.
I'm always so busy talking and tatting that I don't remember to take many pictures. Here are a few I managed to get.
This was a lovely shawl that was donated to be auctioned.
A few pictures of friends.
An actual completed class project. This pattern is Kosmos, by Karey Solomon. I always enjoy her classes.
I'm so far behind, and more disorganized as ever. Jane is well into posting all about the Fringe TatDays and I haven't even said anything about Palmetto yet. I've done some Palmetto class projects, they must be around here somewhere. I think. Anyhoo, someone asked for some closeups of the Phyllis Sparks yoke, so here you are until I can get myself better sorted out.
If you would like to see it modeled, see Jane's blog HERE.
Well, here's the yoke, finished at last. I took it off the blocking board Monday. I wish I remembered when I started. It took about 2 1/2 balls of DMC Cordonet size 50, or maybe 2 2/3. It's hard to estimate partial balls. It's been an interesting journey. It just occurred to me, I should have measured the dimensions for you, but it's not coming out of the suitcase now. And I'm all packed up ready to leave for Toccoa Tatdays in the morning, and it's only 2 am. That's what time I usually get home from work, so that's not bad at all. Wonder what I forgot to pack this time...
No, I'm not done yet, but Sherry, the Celtic Dreamweaver, shared this picture of one she made over 20 years ago and wore for a long time. She must have bought the book when it was brand new. I had thought about adding some small motifs to fill in some big open spaces, and I see she already did just that. Thanks for the picture Sherry!
You will have noticed that the blogging has slowed down. The blog finally caught up with where I was in real time with tatting the yoke. Some weeks I don't get hardly any tatting done, but I made good progress this past weekend. Only 14 motifs to go!
After fixing the offending motif I showed last time, I have now completed the inner neck edge. These motifs were all "Yoke Circle 1" and I am now done with that particular pattern. Only 41 motifs to go :/
Remember, I told you with Sparks yoke, you have to look at the pictures to see where to make the joins? The problem is, some of the pictures aren't very good. If the picture isn't clear, look around, and you may find a better picture on another page. Anyway, I didn't do that one time and realized later I had a motif joined in the wrong place.
We've all had mistakes and had to cut away. It's a little more complicated when the cut away part includes a picot that was joined to by some later tatting that you don't want to cut out.
Here is how I handle that situation.
Disclaimer: some of the scans were made from the front side to show tatting you would be working from the backside. Instead of making more scans, I flipped the pictures around, so don't pay too much attention to whether the stitches in the pictures look like front or back.
Fixing mistakes in tatting that was joined to later:
Carefully clip away the offending piece, leaving bits attached. If you are certain which bits formed joins instead of picots, go ahead and pull only those off. If in doubt, pull out just the core thread of all the bits.
If the bit was forming a join, then both threads will come away from the picot it was joined to.
When the bit was forming the picot, it will remain attached to the remaining tatting when the core thread is pulled out. Don't pull out the picot thread just yet.
Look carefully at the two thread ends sticking out one side of the tatting and find where the connecting thread lies on the other side. Use a needle to pull it up partway. Now that you know where to re-create the joined picot, put this part away and make the new replacement tatting until you get to this point. Unwind the ball thread shuttle or cut off a long length of the ball thread and put it in your smallest sewing needle. Put on your best pair of reading glasses.
Arrange the old tatting in your hand in position to join to it. Pull on the loop so that just the one thread end nearest you is pulled out. Immediately...
... put the ball thread needle through the tiny hole while you can still see it. Try to put it through in the same direction that the thread end just came out.
Now pull the rest of the bit of thread out and put the ball thread needle through the other hole. Check carefully to make sure the ball thread is in the right direction to form a picot. I will admit I got mine backward the first time, which would have formed a twisted picot. I pulled the ball thread back out and used a couple more fine needles to mark the holes while I put the ball thread back in the needle and tried again.
Once your are sure everything is right, adjust the ball thread to the length of a picot and resume tatting.
While making all those close ups on the scanner, the background was nice too.
Look what I've got! Some dear friends graciously offered to let me ride with them to the Fringe Element Tat Days in Canada. I am so looking forward to it. Which reminds me, I had better start finding transportation to the Palmetto Tat Days.
Next up is "Yoke Section 9," the really long strip across the front (or back, I hope). This is a milestone in my progress, as it is the last of the large pieces, and all the secions are now joined together. And also too big to fit on the scanner.
It's very pretty and dainty. It would make a good edging or insertion.
The diagram shows only the ends, and I take exception to the way the diagram parts are displayed on the page. If you ever make this, remember, next to the end trefoils, the longer chains need to be on the outer side of the curve on both ends.
Meanwhile, in the garden, there have been good times and bad times. Here's a picture from a week or so ago.
A deer got through the fence and ate a bunch of tomatoes, both fruit and vines. The squash plants didn't bear much and died an early death. On the up side, the deer didn't get all the tomatoes, and the vines are starting to put out new branches and blooms. I'm trying to grow some more squash from seed, and the young plants are looking good so far. I'm getting more cucumbers than ever before and I already made a batch of bread-and-butter pickles. (No idea why they are named that.) The peppers are starting to bear as well.
One plant that was supposed to be a jalapeno turned out to be this instead. I picked one when it was 6 inches long. I'll have to figure out what I can make with these.
When I first saw the picture of the yoke by Phyllis Sparks, I expected the wide portion to be the back. However, in the book, she says that is the front. I hope it can be worn either way. I'll just have to see how it drapes when it is done. Above is "Yoke Circle 8," the center of the wide section. At this point, I had taken off several weeks to work on the Rose Mignonette doily. By the time I got back to the yoke, I must have forgotten everything I knew about the short bare thread spaces. I worked this motif at least 3 times. I can't remember if the picture above is the final or next to last effort. The center is a little crowded, but it is in Mrs. Sparks' photo as well. I made the picots in the outer round a little longer to prevent cupping.
Here is the picture of the whole yoke from the book again to help you keep your bearings.
At about this point working on the yoke, I took a break to investigate the rose mignonette doily from Needlecraft Magazine that Georgia was looking for. I happened to have the issue with the pattern, but I starting thinking how I had not added to my collection for a while, and I had a little money in my Paypal account....
So off to Ebay, and I lucked into a few, and a few more, and you get the picture. Judging from the numbering of the issues, the magazine would have begun in September 1909. I've never seen one from 1909 or 1910, but I've got a few from 1911 now. They frequently have some tatting patterns, and always some crochet, plus the ads and letters are amusing too. When I started sorting and cataloging my issues, I was dismayed to discover many of them were missing pages. I'll be trying to replace those with better copies eventually.
And then I found this. It's really prettier than this - the flash washed out the image a bit. I was so looking forward to that deep yoke on the cover, but alas, there is no such pattern inside. I could design a yoke from the picture, but nah, I've got to much else to do right now. One day, maybe?
Curse you, Ebay, for suggesting more items I might be interested in. Now my Paypal is all spent, so I need you all to buy more of my books, so I can go hunting again :)
Still working on the Phyllis Sparks yoke, I wanted to do the small motifs around the end to make sure they would fit. And they did! You can see here motifs number 1, 2, 3, 4, 14, 15, 16, and 17. It is exciting for it to start looking like the final product. Incidentally, I think motifs 15 and 16 are misnumbered on the diagram. If you work this, when it comes time for the small 4 ring motifs, count the number of joins and picots you need and then pick the pattern.
The motifs in this yoke by Phyllis Sparks are somewhat arbitrarily numbered. The piece in the previous post is "Yoke Section 11" and this one is "Yoke Circle 13."
The first motif for the yoke went smoothly. This section did not. I think it took me 5 tries to get it right. First it was not laying flat at Round 3, and once I got past that, it was again cupping at Round 5. Keep in mind that the bare thread spaces for this pattern need to be very short. I seem to have some trouble with that concept. Once I figured it out, I got the other side done in just one try. If you contemplate working this yoke, be advised that the patterns are diagrammed with some text comments. Most of the joins are not described, so you have to consult the photos very carefully to see where to join. Also, it up to you to make the second side a mirror image of the first, especially critical in this piece, with the way the rings are thrown off on the last round. Just commenting, not complaining. I'm still enjoying the challenge.